The phrase "Penceşer Recep içen" appears to be a combination of names and terms related to performance arts in Kurdish culture. Recep İçen is associated with Şaneşîn Performans, a platform supporting independent artists in the cultural and arts ecosystem [1]. "Penceşêr" is a play co-authored by M. Xalit Ertoşî and Recep Îçen, inspired by Rolan Topor's work [2]. Recep İçen is mentioned as a contributor to the performance arts, specifically in writing and execution within Şaneşîn Performans [3] [4]. The term "ŞanoyaKurdî" is linked to Recep İçen and his role in a new story named "Penceşêr" within Şaneşîn Performans [5].

Lo Dublaj appears to be a social media presence, primarily on platforms like YouTube, Facebook, and TikTok. It involves content related to dubbing or humorous voiceovers, often associated with Kurdish language.

1. Lo Dublaj has a YouTube channel with playlists featuring videos and live content[1].
2. The Facebook page "Lo Dublaj" shares humorous videos and connects with followers[2].
3. Lo Dublaj content includes videos tagged with #Lo_Dublaj, suggesting a focus on dubbing and humor[3][4].
4. The term "lo dublaj" is also mentioned in the context of Twitter discussions about dubbing[5].
5. TikTok has content related to "lo dublaj"[10].

In summary, Lo Dublaj is a social media entity known for creating and sharing content, possibly humorously dubbed videos, on various platforms.

Erdal Kaya (b. 1987 Batman), Kurdish playwright, actor, director and teacher.[1]

Description
Erdal Kaya started amateur theater in Batman. He studied Turkish Language and Literature at Afyon Kocatepe University and in the same years, from 2007, he joined the Afyonkarahisar City Theater and started acting professionally in the same theater until 2012. Later, he continued acting in the City Theater of Batman Municipality. Together with their friends, they opened the Yenisahne Theater in Batman in 2018 and started performing there.[2] Currently, he continues to work as an actor and director in Yenisahne theater group in Batman.

After the outbreak of the Corona virus in the world, Yenisahne Theater was closed like many other places. Erdal Kaya did not stop during the quarantine days and prepared a program called Şildim Bildim with his friends, which was broadcast every week on the Hestû TV channel. After this program, Erdal Kaya became more known. But his fame started with the series Tonight.

The plays he acted and directed
Koca Dağlar Ağası (Turgut Özakman)
Ah şu Gençler (Turgut Özakman)
Salak Oğlum (Müjdat Gezen)
Officer Faslı (Coşkun Irmak)
Ray Cooney
Haydi Karına Koş (Ray Cooney)
Boyacı (Tuncer Cücenoğlu)
Live Monkey Restaurant (Güngör Dilmen)
Öteki (Workshop Game)
Cimri (Moliere)
Colonel Kush / Soldier (Hristo Boytchev)
Dorsa Sherko (Yusuf Unay)

Nishan Doxan is a Kurdish actor and producer, born on February 15, 2012, in Germany. He is associated with Deysem Doxan, a production group. Nishan Doxan has a notable online presence, including a website [¹], an Instagram account [²], a YouTube channel [³], and a Facebook page [⁴] [⁵]. His content includes videos and posts related to his work, scenarios, and more. For contact information, one can reach out to him via the provided details on the website [⁶]. Additionally, there's a video titled "Nishan Doxan | Kurdî şirîn e - By Deysem Doxan" on YouTube [⁸].

Sources:

1. Nishan Doxan Website
2. Nishan Doxan Instagram
3. Nishan Doxan YouTube
4. Nishan Doxan Facebook
5. Contact Information
6. Nishan Doxan YouTube Video

Bavê Teyar, also known as Cuma Xelo, was born in Qamishlo, Rojava, Syria, in 1961. He is a Kurdish artist and father of eight children. His real name is Muhma Xelo. Bavê Teyar is recognized for his contributions to Kurdish music, with limited information available about his life and career. He has released songs and albums, and his biography provides insights into his background and artistic journey[2]. Additionally, he is listed in the Kurdish film list, reflecting his involvement in the cultural scene[3]. Bavê Teyar remains a figure of interest, and further contributions to his Last.fm profile could enhance the available information[1][4]

1. Hinek Henek is a content creator featured on the PELFİLM TV YouTube channel, known for humorous shorts and videos such as "SEYÎDXANÊ BOYAXCÎ - TÊLÎ"[1].
2. The content includes episodes like "BANKA Û ZIMAN" and "DEREWÊN ZINDÎ - HINEK HENEK BEŞA 1"[2].
3. Specific videos include "DOKTORÊ SUPER" and "STRAN Û KOMEDÎ - HINEK HENEK / JIN MA"[3][4].
4. "Hinek Henek" released a single titled "Hinek Henek" available on Apple Music[5].
5. The creator also engages with the audience on Instagram, sharing comedic content and updates[6].
6. Scheduled releases are announced on platforms like Facebook, such as "Beşa 9 (DANASÎN)"[8].
7. Notable videos include "SILÊMANÊ PÊXWAS 2 - HINEK HENEK" and "PARTIYA EM Ê HELKEN"[7][9].

"Mem û Zîn" is a Kurdish love story directed by Mirza Metin, a prominent figure in contemporary Kurdish theatre. The play is known for its minimal aesthetic, resembling a ritual rather than a traditional play[2]. Mirza Metin, co-founder of Şermola Performance, has been actively involved in Kurdish theatre, exploring themes like self-being through projects such as "Dîwana Xwebûnê" (Karneval des Selbstseins)[5][8]. The play has received recognition, winning awards such as Best Music Design at the 17th Saqqez Kurdish Theatre Festival[3]. To stay updated, you can follow Mirza Metin on Instagram@mirzametin[9].

"Dayîka Nîştiman" is a Kurdish theatrical play titled "Şanoya Dayîka Nîştiman û Koşka Miradan" written by Muhsîn Özdemîr. The play, considered one of the early works in Kurdish theater, revolves around the story of a mother, Dayîka Nîştiman, and the struggles of her three children in the town of Mahabad during 1946. The play is significant for its portrayal of the challenges faced by the characters in the historical context of Mahabad.

1. The play is available for purchase, and more details can be found here (Source: #1).
2. Additional information about the play and its historical context can be explored on eksisozluk1923.com (Source: #2).
3. The theatrical piece is acknowledged as part of the early Kurdish theater scene, with historical significance in Mahabad (Source: #3 and #8).

For a deeper understanding, one can explore the themes and historical context of the play through the available sources.

After the Reza Shah regime left power in Mehabad after September 1941, an intellectual movement developed in the Mukriyan region, especially in Mehabad.
- Establishment of "Komelley Jiyanawey Kurd" (Kurdish Awakening Association) 16.09.1942,
- Formation of the Kurdish Lawan organization,
-Existence of literary spaces and associations,
- The publication of "Niştiman" magazine in May 1943 are some of these developments.